Roses Still Life (1842-1848)
———————
ARCHIVAL WORK
Robert S. Duncanson
Medium | Reductive
Size | 16 X 20
The reductive prints give the illusion of texture while maintaining the integrity of the original work of art. In other words – they are the flat version of an original. The key to our reductive print starts with the scan. The scanner captures all of the detail from the original. Every mark, brushstroke, fine line, smudge and incidental as well as the peaks and valleys of the piece are captured and reproduced to simulate the depth of the original when printed.
Displayed in Certificate Wide Gold Frame.
———————
ARCHIVAL WORK
Robert S. Duncanson
Medium | Reductive
Size | 16 X 20
The reductive prints give the illusion of texture while maintaining the integrity of the original work of art. In other words – they are the flat version of an original. The key to our reductive print starts with the scan. The scanner captures all of the detail from the original. Every mark, brushstroke, fine line, smudge and incidental as well as the peaks and valleys of the piece are captured and reproduced to simulate the depth of the original when printed.
Displayed in Certificate Wide Gold Frame.
———————
ARCHIVAL WORK
Robert S. Duncanson
Medium | Reductive
Size | 16 X 20
The reductive prints give the illusion of texture while maintaining the integrity of the original work of art. In other words – they are the flat version of an original. The key to our reductive print starts with the scan. The scanner captures all of the detail from the original. Every mark, brushstroke, fine line, smudge and incidental as well as the peaks and valleys of the piece are captured and reproduced to simulate the depth of the original when printed.
Displayed in Certificate Wide Gold Frame.
