Three Peaches on a Plate (1861)
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ARCHIVAL WORK
Henri Fantin-Latour
Medium | Reductive
Size | 16X12
The reductive prints give the illusion of texture while maintaining the integrity of the original work of art. In other words – they are the flat version of an original. The key to our reductive print starts with the scan. The scanner captures all of the detail from the original. Every mark, brushstroke, fine line, smudge and incidental as well as the peaks and valleys of the piece are captured and reproduced to simulate the depth of the original when printed.
Displayed in Certificate Gold Frame.
———————
ARCHIVAL WORK
Henri Fantin-Latour
Medium | Reductive
Size | 16X12
The reductive prints give the illusion of texture while maintaining the integrity of the original work of art. In other words – they are the flat version of an original. The key to our reductive print starts with the scan. The scanner captures all of the detail from the original. Every mark, brushstroke, fine line, smudge and incidental as well as the peaks and valleys of the piece are captured and reproduced to simulate the depth of the original when printed.
Displayed in Certificate Gold Frame.
———————
ARCHIVAL WORK
Henri Fantin-Latour
Medium | Reductive
Size | 16X12
The reductive prints give the illusion of texture while maintaining the integrity of the original work of art. In other words – they are the flat version of an original. The key to our reductive print starts with the scan. The scanner captures all of the detail from the original. Every mark, brushstroke, fine line, smudge and incidental as well as the peaks and valleys of the piece are captured and reproduced to simulate the depth of the original when printed.
Displayed in Certificate Gold Frame.
